It has been about 9 months since I first posted my Buffy vs Edward: Twilight Remixed video online and in that time it has been seen nearly 3 million times, been voluntarily translated into 30 languages, sparked discussion threads on countless website and it’s even being used as a teaching tool in classrooms across the country. Not bad for a pro-feminist mashup about vampires and gender roles!
So I’m excited to announce that Buffy vs Edward has been nominated for a 2010 Webby Award in the Best Remix/Mashup category! Hailed as the “Internet’s highest honor” by the New York Times, The Webby Awards is kinda like the Oscars for the internets.
In this re-imagined narrative, Edward Cullen from the Twilight Series meets Buffy the Vampire Slayer. It’s an example of transformative storytelling serving as a pro-feminist visual critique of Edward’s character and generally creepy behavior. Seen through Buffy’s eyes, some of the more sexist gender roles and patriarchal Hollywood themes embedded in the Twilight saga are exposed – in hilarious ways. Ultimately this remix is about more than a decisive showdown between the slayer and the sparkly vampire. It also doubles as a metaphor for the ongoing battle between two opposing visions of gender roles in the 21ist century.
This remix by Anita Sarkeesian of FeministFrequency.com appropriates the sexist song “Too Many Dicks on the Dance Floor” by Flight of the Conchords to critique the male domination, hyper masculinity and glorification of violence in popular video games. The video uses source material from 39 different games and was inspired by Sloane’s “Star Trek Dance Floor” vid which comments on the lack of women in the Star Trek movie re-boot released last year. (Incidentally, Sloane’s vid also holds the distinction of being the most viewed post on our blog.)
Once paired with the misogynist lyrics, the games’ imagery of guns, swords and chainsaws become phallic representations of patriarchal power in a virtual world where few women exist. Especially lacking are female characters who are not hypersexualized and/or simply replicating the intense violence of male game heroes. Anita’s remix uses the lyrics to highlight two games in particular (both with women of color protagonists) that help counter the genre’s male dominance: Portal, a first person action puzzle game which utilizes non-violent problem solving strategies, and Mirror’s Edge, a less-violent adventure game involving the navigation of a dystopian city maze. You can also see a list of all the games used in this remix on FeministFrequency.com
This vid, by 16 year old ImaginarySanity, casts James T. Kirk from the original 1960s Star Trek series as the subject of Britany Spears’ hit song ‘Womanizer’. It layers appropriated clips of the Starship captain’s romances-of-the-week combined with a series of colored filters and motion effects to match the video to the beat of the audio. It is no secret that sexism plagued the first Star Trek series and considering Kirk’s notorious skirt-chasing, we think the vid exposes his inner womanizer perfectly.
ImaginarySanity also playfully hints at a mass media double standard: while it’s acceptable (and often expected) for men to be sexually available and have multiple partners without “settling down”, women who engage in similar sexual activity are criticized and often portrayed as “sluts”. As the ending credits indicate this vid characterizes Kirk as the “male slut” and portrays his Casanova ways in a more critical light.
ImaginarySanity also makes kirk/spock slash vids which you can see them on her Youtube channel or blog.
This mashup has become hugely popular on Youtube, viewed over a million times. The remixer re-imagines a trailer for the 1980′s blockbuster hit Top Gun creating a new narrative in which the very straight macho fighter jet pilots Maverick and Iceman have a romantic and sexual relationship. We consider this remix “queer-positive” because it subverts the fictional “all heterosexual” world of Top Gun by imposing queer relationships into the story.
By now we are all familiar with this remix phenomenon where creators take heterosexual TV and movie characters and than re-cut the footage to create queer relationships. These videos come in many forms but by far the most popular are the remixed Brokeback trailers, of which there are literally hundreds online. Although this remix is not really classified as a “vid”, in the vidding world this type of sexuality re-framing is called slash or femslash (which we will talk about in more detail in a later post).
We think these works are of political importance because they are critical of and expose how the mass media makes straight characters and relationships the standard social norm while queer relationships and lifestyles are often excluded, marginalization or demonized.
On this site we look critically at these remixes and place them in two camps, queer-positive and queer-negative. We define “queer-negative” remixes as those that encourage the viewer to laugh at the re-framed sexuality frequently by queering oddball, weird or quirky fictional characters (like the Brokeback to the Future mash-up). We don’t often post these because they are often tinged with homophobic humor. In contrast, we define “queer-positive” remixes as those that invite the viewer to identify with, sympathize with or celebrate the newly created queer relationship. Often these works remix the stereotypical and highly gendered roles of straight characters in mass media. Its a very fine line with a lot of gray area and not always clear but we at least use this as our lens for viewing these types of remixes.
So in short, queer-positive remixes attempt to subvert heteronormativity, while queer-negative ones mocks characters that aren’t portrayed as “normal.”
It has been about 9 months since I first posted my Buffy vs Edward: Twilight Remixed video online and in that time it has been seen nearly 3 million times, been voluntarily translated into 30 languages, sparked discussion threads on countless website and it’s even being used as a teaching tool in classrooms across the country. Not bad for a pro-feminist mashup about vampires and gender roles!
