The internets have been busy over the past couple months creatively re-branding and correcting the corporate identity of the company formally known at British Petroleum. We have seen some hilarious logo re-design, mock print ads and of course the ever entertaining BPGlobalPR spoof Twitter feed. Not to be outdone online video remix has also played a part in the raging Internet vs. BP brand battle. So we here at PRV have collected a handful of our favorites.

The first of several more honest re-cut versions of the now infamous “Message From Tony Hayward” PR propaganda commercial that BP is trying to infect the internet with by buying up all the search terms relating to the disaster. Listen carefully to the audio editing in the remix below which transforms Tony’s words into something perhaps a little closer to the truth.

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Last week, BP CEO Tony Hayward went before Congress in round one of the oil company’s Congressional hearings. As if the 60 day oil geyser hemorrhaging into the Gulf and the lack of solutions for stopping it weren’t enough, Hayward adds insult to injury by simply re-using his own words that “A Message from Tony Hayward” ad as his opening statement to the House.

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One more remix of “A Message from Tony Hayward” ad – this time with a new overdub of Hayward’s “last words” includes a call to action to revoke BP’s Corporate Charter which you can do here.

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BP’s massive $200 million rebranding campaign handled by Ogilvy & Mather in July 2000 won the PRWeek’s 2001 “Campaign of the Year” award for re-imaging the brand’s identity  to communicate that “BP can be a friend — listening to consumers, speaking in a human voice“. Here, the BP campaign is accurately adjusted to illustrate a more fitting identity correction.

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An emotion-filled anecdote created by editing Hayward quotes with the song, “End of the World” by Skeeter Davis for the organization NRDC.

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News footage and photographs are combined with Disney’s animated feature The Little Mermaid to provide a new meaning to the hit song Under the Sea.

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In “A Whole Day Of Tony Hayward’s Obfuscating In Four Minute”, Ben Craw of the Huffington Post, illustrates how Hayward refuses to answer question and gives intentionally ambiguous responses to House Energy & Commerce Subcommittee on Oversight and Investigations. Because it seems that’s the real role of a leader at BP.

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Have you seen other BP remix videos online? If so please post links in the comments!

Category: news segment
Topic Tags: advertising, BP, corporations, energy, environment, identity correction, oil

Over the past few years I have been developing a series of fun workshops that use simple video remixing projects as an engaging way to teach critical media literacy to youth. Back in December I taught one of these workshops with the Reel Grrls – a Seattle based non-profit that aims to empower girls to critique media images and to create their own films. As both a fun introduction to the remixing process and also as a form of creative media literacy I gave participants the assignment of switching the video and audio from Saturday morning cartoon toy commercials aimed specifically at boys with those aimed at girls. The resulting juxtapositions provided hilarious and insightful commentary on the way the advertising industry manipulates gender roles and helps develop gendered socialization in children.

Embedded above  are remixed ads by Reel Grrls Sahar & Diana – also make sure to check out Julia & Caitlin’s remix ads, Gwyn & Emma’s remix and Mari’s remix. I had a lot of fun teaching this workshop and was definitely inspired by the Reel Grrls media making talent, skill and creative energy.

Crossed posted at rebellliouspixels.com

Category: tv commercial
Topic Tags: advertising, consumerism, gender, kids, sexism, television, toys

Can a political remix video help effect actual change in the world? YES!

Unilever’s personal care brand Dove is the again target, this time being called out by GreenPeace for the corporation’s role as the biggest single buyer of palm oil in the world, and thus, a major contributor to the destruction of rainforests because of massive palm oil plantations.

Greenpeace spoofed Dove’s Onslaught ad with great success: thanks to the public support of the campaign and the remix (which received more views on YouTube than the original ad with over a million) Unilever agreed to an “immediate moratorium on deforestation for palm oil plantations”. They also agreed to help clean up the industry by contacting the other major companies calling on them to support the moratorium. Companies like Cargill & General Mills though have still not gotten on board.

The remix did have a budget and does not actually re-edit any of the footage from the Unilever ad but it does re-create it almost shot for shot. The Greenpeace version even re-writes the lyrics for the song LA Breeze by Simian which Dove used as their soundtrack. The new updated song titled “There They Go” (referring to trees) was made specifically for this video by the Czech band Ohm Square.

Thanks to the staggering public support for our international Dove campaign in April 2008, Unilever has now agreed to play their part in saving the Paradise Forests of South East Asia. As the biggest single buyer of palm oil in the world, Unilever has a special responsibility to help clean up the industry that’s behind so much forest destruction. – GreenPeace

Category: tv commercial
Topic Tags: advertising, corporations, ecology, environment, forests, greenpeace, identity correction, television, unilever

Over the past two years the Unilever corporation has been one of the favorite targets for parody videos online. This is primarily do to the fact that the multinational company makes both Dove and Axe, two brands that present diametrically opposing values and views of women.

In 2004, Unilever launched their Dove Campaign for Real Beauty, a marketing strategy wrapped in a feminist package. Their tag line: “challenging today’s stereotypical view of beauty“. The marketing tactic included the online video Onslaught, that warned consumers about the beauty industries negative effect on young girls.

Rye Clifton noticed that Unilever also makes Axe Body Spray, a product whose brand identity is steeped in misogynistic notions of masculinity. Interestingly enough, the spray is accompanied by a sexist advertising campaign featuring exactly the kind of depictions of women that the company is supposedly criticizing with its Dove brand. So Rye re-edited the Onslaught ad replacing all the images of women with footage from Axe tv commercials. The remix exposes the inconsistency and deep hypocrisy of Unilever’s corporate brand identity. Clearly the only value Unilever is really interested in is money – they will say anything to get you to buy their products. Clifton’s remix was even featured on CNN’s the Situation Room a couple years ago.

Below is the original Dove Onslaught ad for those that have not seen it.

Category: tv commercial
Topic Tags: advertising, corporations, gender, sexism, television

I recently helped the Rainforest Action Network (RAN) re-dub Royal Bank of Canada’s new Olympic Flame Trail commercial. The new and improved voiceover better represents the bank’s dirty investments: since 2007, RBC has given about $17 billion dollars in loans to companies operating in the Alberta tar sands – more than any other bank. Not only is it one of the most environmentally destructive energy projects on the planet but expansion of the tar sands is trampling the rights of Indigenous peoples, destroying North American water systems and significantly increasing Canada’s carbon emissions.

Category: tv commercial
Topic Tags: advertising, banks, corporations, energy, environment, identity correction, oil

Although this spoof video by MacKenzie Fegan does not actually remix footage or audio from the now infamous Man’s Last Stand: Dodge Charger TV commercial it does remix the ad’s concept, pacing and message. This year’s Superbowl had more than its fair share of sexist and misogynistic commercials so it’s refreshing to see people on youtube directly talking back on the issue. It’s especially exciting to see people using the television ad form and structure to make their commentary.

If anyone is somehow still in denial and doubts that misogyny and sexism are still a problem in society – all you have to do is take a look at the YouTube comments on Woman’s Last Stand to see really stunning levels of hate directed at women.

And just in case you did not already have to suffer through the original Dodge ad during the big game or on YouTube’s AdBlitz competition, here it is…

Category: tv commercial
Topic Tags: advertising, cars, corporations, gender, sexism, superbowl, television

Here it is, plain and simple: every violent moment from the 2010 Super Bowl commercial bonanza mashed together by Whirled. During the recent Super Bowl, amid the anti-choice controversy, CBS ran hundreds of ads, many of which we see after watching this remix, rely on physical violence to communication their message.

Now, compared to the guns, blood and guts we’ve become accustomed to in Hollywood movies, this may seem like light-hearted slapstick but this remix highlights the fact that violence has been so normalized in mass media to the point where we often don’t even notice it. After experiencing all the clips of hitting, punching and tackling put back-to-back it becomes clear that violence on TV is the preferred form of humor, communication, entertainment, plot device and conflict resolution.

UPDATE Feb/18/10: Today the Media Education Foundation (MEF) posted clips from their documentary entitled “The Mean World Syndrome” about media violence & the cultivation of fear. In this clip from the film Dr. George Gerbner explains how Hollywood writers are pressured into creating violent stories.

They have global marketing formulas that are imposed on the creative people in Hollywood and I’m in touch with them and they hate it, they say ‘don’t talk to me about censorship from Washington, I never heard about that, I get censorship everyday. I am told put in more action, cut out complicated solutions, apply this formula because it travels well in the global market.’ These are formulas that need no translation and essentially image driven and speak action in any language and of course the leading element of that formula is violence.

Category: montage
Topic Tags: advertising, commercial, gender, identity correction, television, violence