There Will Be Blood, a 2007 American film by Paul Thomas Anderson, was loosely based on the Upton Sinclair novel Oil! and follows a man on a ruthless quest for wealth during the oil boom. Saved by the Bell, on the other hand, was a 90′s high school sitcom that paved the way for teen shows dealing with social issues by introducing young target audiences to critical topics like drug use, drinking and driving, homelessness and environmental issues. But when remixed, the two delve into the institutional greed and environmental destruction no TV show or has yet dared to explore, despite the timeliness of the topic.

I was recently featured on the front page of the Boston Globe in an article on activists using video as a voice (excerpt below). It focused on my Sex and the Remix series and how activists are using video to create instant political commentary and disseminate alternative messages to the main stream media.

QueerCarrie, Sex and the Remix Season 2

Click here to view the embedded video.

Two weeks later I received DMCA violations for my Queer Housewives of NYC remixes. The videos were reinstated on YouTube last week, without an acknowledgment of Fair Use.

While video is our voice as remixers, there’s no guarantee it will be heard or if it will be there tomorrow. The experience represents a shifting power dynamic in the entertainment industry: as the audience, our collective intelligence grants us more creative power than ever, yet copyright holders are desperately trying to hold on to their role as gatekeeper.

QueerHousewives of NYC Remix

Click here to view the embedded video.

When Elisa Kreisinger wanted to protest the newly diminished visibility of gay characters and story lines on television, she didn’t launch a petition drive or write an angry op-ed piece. Instead, like many other members of the YouTube generation for whom the visual language is a native tongue, she found a way to have her say with video rather than words.

Kreisinger remixed scenes from “Sex and the City’’ into a pair of pro-gay narratives, and uploaded the resulting videos to her blog, drawing 21,000 hits.

“I wouldn’t have done it if it was text-based,’’ said Kreisinger, a 23-year-old Simmons College grad from Cambridge. “Things are more easily communicated through video . . . And there can be more powerful statements.’’

A growing number of young activists are turning to video as a forum for instant political commentary or an eye-catching tool to mobilize on behalf of social change. They might create videos and spread them through social-networking sites such as Facebook. They might remix existing video clips into mashups-with-messages. They might borrow from the tropes of the most popular videos on YouTube, which turned five years old last month, marrying serious substance with lighthearted style. – The Boston Globe, 3/5/2010

Jonathan will be posting his experiences with Buffy Vs. Edward tomorrow and then it will be back to our regularly scheduled remix program!

Click here to view the embedded video.

If enough people who have money in one of the Big Six banks  (JP Morgan/Chase, Citibank, Bank of America, Wells Fargo, Goldman Sachs and Morgan Stanley) move it into smaller, more local, more traditional community banks, then collectively we, the people, will have taken a big step toward re-rigging the financial system so it becomes again the productive, stable engine for growth it’s meant to be. — Move Your Money Campaign

Click here to view the embedded video.

UCSB declared D’Alessandro’s endeavors in acquiring and utilizing copyrighted source materials for creating remixes an “offense” as it violates the university’s Terms of Services. In order ‘to protect itself and its students’, UCSB considers any sharing of copyrighted material (music, movies, software and books included) a DMCA violation, even if, as in this case, the result is a fair use. The university also added that

appeals leads to serious legal procedures (in the past four years, no one at UCSB has ever filed ‘counter-notice’, the procedure with which people can appeal with a fair-use claim.)

The trend of policing university networks for DMCA violations is worrisome, as it usually urges the school to locate and save all student information related to the case. Thankfully, the University of Wisconsin, MIT and Boston College have refused to turn over student information and be a middle-man for groups like the RIAA who continue to endorse such network management policies.

From this debacle has come new work: D’Alessandro created a short remix that mashes screen shots of UCSB’s DMCA internet ban and scenes from the movie Step Brothers. She says,

Regardless of this incident, I am certain the Political Remix Video genre is moving toward a direction of net-neutrality, open-source access, and the deterioration of copyright restrictions.

Click here to view the embedded video.

Public Knowledge is a great resource for remix artists and vidders because they acknowledge that Fair Use is a right, not a privilege. As artist, we can only continue making new work with the hopes that the product and process decreases copyright confusion and encourages the use of new media technologies to sustain media literacy and critical thinking about popular, and proprietary, culture.

Part 4 – Francesca Coppa

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Click here to view the embedded video.

Click here to view the embedded video.

Click here to view the embedded video.

The above George Orwell quote accompanies this vid by Lila Futuransky which deals with cinematic depictions of oppression and resistance. She weaves together appropriated footage from three sci-fi films set in a near future London; 28 Days Later, Children of Men and V for Vendetta. These are remixes over the song Rabbit in Your Headlights by the band Unkle. The result is a re-constructed vision of a fear-driven future and also a vision of the resistance.  She particularly challenges the ways in which gender, race and sexuality play out in those futures.

Lila has carefully re-contextualized many of the characters in these films including erasing the male V character (along with his torturing of Evey “for her own good”)  and removes the character of Theo as the white male savor of Kee in shots from Children of Men. The vid also pieces together an inspiring montage of resistance which inserts images of queer relationships in between the shots of street protests and sabotage. For much more detail on the concepts behind the creating of this vid check out lila’s web page for it.

Click here to view the embedded video.

Click here to view the embedded video.

The Power Shift 09 website says they “will bring 10,000 young people to Washington to hold our elected officials accountable for rebuilding our economy and reclaiming our future through bold climate and clean energy policy”. The organization advocates for green jobs and investments in solar and wind energy rather than the polluting and dangerous options of oil, coal or nuclear. The event is happening from FEB 27th to MAR 2nd. You can also see their other event promos on the Power Shift youtube channel and regester for the event here. I might just have to find my way to DC myself for this one!

Click here to view the embedded video.

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Click here to view the embedded video.

Although not quite as good, see part 2 at the link below, the sequel is called The Twin Towers and explores post-911 issues within the United States.

http://www.indybay.org/uploads/2004/09/02/twintowers56k.mov

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