Eugene Jarecki, a documentary filmmaker who’s work includes the 2005 documentary Why We Fight, created this remix after making the connection between the current big bank bailout that fostered record profits and the story in the classic Frank Capra film It’s a Wonderful Life. In the film, community banker George Bailey helps the people of Bedford Falls escape a predatory banker Mr. Potter. With support from top financial analysts and the Huffington Post, the idea grew into this project: Move Your Money.

If enough people who have money in one of the Big Six banks  (JP Morgan/Chase, Citibank, Bank of America, Wells Fargo, Goldman Sachs and Morgan Stanley) move it into smaller, more local, more traditional community banks, then collectively we, the people, will have taken a big step toward re-rigging the financial system so it becomes again the productive, stable engine for growth it’s meant to be. — Move Your Money Campaign

Category: short film
Topic Tags: activism, banks, bush, capitalism, corporations, economics, identity correction, obama

Desiree D’Alessandro examines the commodification of natural resources in this remix, addressing the imminent crisis of the worldwide water shortage. Her source footage, which includes tv commercials, new segments and documentary footage, has become a major point of contention with her university, the University of California Santa Barbara. (More on this below)

UCSB declared D’Alessandro’s endeavors in acquiring and utilizing copyrighted source materials for creating remixes an “offense” as it violates the university’s Terms of Services. In order ‘to protect itself and its students’, UCSB considers any sharing of copyrighted material (music, movies, software and books included) a DMCA violation, even if, as in this case, the result is a fair use. The university also added that

appeals leads to serious legal procedures (in the past four years, no one at UCSB has ever filed ‘counter-notice’, the procedure with which people can appeal with a fair-use claim.)

The trend of policing university networks for DMCA violations is worrisome, as it usually urges the school to locate and save all student information related to the case. Thankfully, the University of Wisconsin, MIT and Boston College have refused to turn over student information and be a middle-man for groups like the RIAA who continue to endorse such network management policies.

From this debacle has come new work: D’Alessandro created a short remix that mashes screen shots of UCSB’s DMCA internet ban and scenes from the movie Step Brothers. She says,

Regardless of this incident, I am certain the Political Remix Video genre is moving toward a direction of net-neutrality, open-source access, and the deterioration of copyright restrictions.

Category: short film
Topic Tags: activism, consumerism, environment, News

In early January, Jonathan and I were invited to speak on a panel at  World’s Fair Use Day in Washington, DC to provide the perspective of artists who use copyrighted material in their work. Our panel followed Congressman Mike Doyle’s (D-Penn) keynote address on defending Fair Use against ongoing attacks from corporate media interests. It was also a great opportunity to chat with our friends, Mark Hosler from Negativeland and Dan Walsh from Garfield Minus Garfield.

It was the very end of a long day when we were pleasantly reminded of these two remixes brought to our attention by cultural critic Mark Dery, who coined and popularized the term Culture Jamming:

Scary Mary, created by MovieMker, remixes Mary Poppins into a horror film. It is not overtly political but it is a fun example of how additive text and a new soundtrack can turn the carefully crafted Disney-fied world on it’s head.

It’s Raining Men is a simple yet articulate comment on the prevalence of men (and scantly clad ones at that) in the movie 300. Suburbala paired the film’s footage with the famous song by the same name, queering the gaze of the Trogans and satirizing their hyper-masculinity to reveal the homoerotic subtext of the movie.

For more on the one-day conference hosted by Public Knowledge, check out the web-cast from the First Annual World’s Fair Use Day.

Category: About Remixing
Topic Tags: fair use, government, negativland

Public Knowledge has just released their new series of four video interviews called “We Are Creators Too” that focuses on artists who push the boundaries of copyright law. First to be featured was Nina Paley whose Sita Sings the Blues feature film (set to music from the Public Domain) reveals the timelessness of an old Indian folk tale while simultaneously exposing the archaic nature of copyright. Francesca Coppa, fan, academic and keeper of women’s vidding herstory is also featured along with Jonathan and myself.

Public Knowledge is a great resource for remix artists and vidders because they acknowledge that Fair Use is a right, not a privilege. As artist, we can only continue making new work with the hopes that the product and process decreases copyright confusion and encourages the use of new media technologies to sustain media literacy and critical thinking about popular, and proprietary, culture.

Part 4 – Francesca Coppa

Part 3 – Jonathan McIntosh

Part 2 – Elisa Kreisinger

Part 1 – Nina Paley

Category: About Remixing
Topic Tags: activism, copyright, corporations, fair use, REMOVED, rights, television, vidding

This remix by freeyourpixels is a short yet eloquent critique of the US Marines “Red Stripe” online ad campaign. The remix uses still images and TV commercial clips for source materials and implements additive text and precise match-on-action editing techniques to unite them. The red stripe transitions the viewer from one clip to next and was created using After Effects. It’s a brilliant, yet simple, visual motif which echos the brutal imperialist history of the US Marines. The Scarlet Stripe, said to commemorate the bloodshed by US Marine officers during the 1846 Battle of Chapultepec in Mexico, is more often referred to as the Blood Stripe.

Category: tv commercial
Topic Tags: capitalism, corporations, government, iraq, marines, military, terrorism, violence, war

YouTube’s January 2009 Massacre hit many vidders using that video sharing site particularly hard because their Content ID system can not decipher between a copyright violation and a fair use of the original material. Last week fannish vidders found themselves caught in the midst of yet another online video massacre. Much of the vidding community had been using the media sharing site imeem which, until recently, had been a safe space for them to post fan works and share in fan communities. But imeem recently announced they were ’simplifying’ their website and deleting all use- generated video (UGV), again leaving vidders without a community to upload and share their works. Imeem is now “de-emphasizing” UGV because of costs and concerns over their return on investment (ROI). They say “Simply put, there’s no ROI for us in UGV.”

We feel this is an insult to the vidding and other photo/video communities that helped build imeem as a service. We think that to simply jettison user generated creative works in this way due to profit margins is shameful and abhorrent.

The end of the vidding community on imeem does not just stop with the loss of the vids but also a deletion of all comments and playlists, loss of the cumulative hit counts and vidding network disruptions. To add insult to injury, imeem continues to prohibit users from downloading their own content. Some of the startling experiences and over-all mistreatment of content producers are documented here.

What this means for our blog is that many of our favorite vids will be offline until they can be relocated to other sites. Many of our favorites will be on blip.tv since they’ve implemented a fair use policy, this despite their recent vidder-targeted takedowns for posting “copyrighted material”. Others will be moving to BAM. A comparison of the two sites’ hosting capacities is posted here.

In caution to vidders transitioning away from imeem, Morgan Dawn has outlined the copyright policies of various video services. She adds “how they will handle the transformative nature of fan vids is still anyone’s guess.”

Please be patient with us as we try to find the new location of vids we have posted here over the past few months and update our posts accordingly. If you’ve found a vid’s new digital home, please let us know!

Category: News
Topic Tags: copyright, fair use, imeem youtube, vidding

Sloane’s first vid is a visual critique of the “re-booted” Star Trek movie selectively edited to the sexist, misogynistic song, “Too Many Dicks on the Dance Floor” by Flight of the Concords. While “Too Many Dicks…” was originally about having too many men on the dance floor and not enough women to court, Sloane reclaims it by editing together multiple images of the largely male Star Trek cast to critique it’s male dominated storyline.

“When I saw the Star Trek movie, I was disappointed that J.J. Abrams had dramatically rewritten so many elements of Star Trek canon – and had largely ignored women. I was surprised how many people didn’t seem to think that was a problem, or even that the issue existed.” — Sloane

Her vid eloquently proves her point: it is hard to ignore the male to female ratio in the new updated Star Trek movie. Uhura has the heavy burden of being the only female character with any significant dialog and, to further the disappointment, is written into “the girlfriend” role. The vid is extremely popular in the fan/vidding community, emphasizing the huge demand to see more women in prominent roles on television and in the movies.

This vid also serves as a strong argument for the importance of cam recordings used for visual criticism and critique. It is essential that these types of critiques be made in a timely fashion while films are still fresh in the mind collective consciousness of the public. If vidders and political remixers have to wait to make their visual arguments until a film’s DVD release, than the window for sparking public debate and discussion will often have past.

Because a song’s lyrics are often the critical lens through which the viewer can read the commentary in a vid, we have pasted them below the fold.
Read more…

Category: vidding
Topic Tags: bootleg, fandom, gender, hollywood, music, sexism, vidding